HCCC is pleased to present Designing Motherhood, the first exhibition of its kind to consider the arc of human reproduction through a design lens. The exhibition originated in Philadelphia at the Mütter Museum at The College of Physicians of Philadelphia and the Center for Architecture and Design. HCCC’s iteration of Designing Motherhood is the first mounted in the Southern United States and the first to extend the contents to highlight the craft perspective on the topic. Featuring over 60 craft and design objects and prototypes from the past 50 years and the work of more than 20 contemporary artists, the show traverses themes ranging from the DIY culture of parenthood and health activism to reproductive access and equity, parental leave, and the work-life balance of artist-mothers.

Designing Motherhood invites audiences to consider why and how designs have been developed to facilitate reproductive health, and to ponder the political, economic, and social implications of medicalizing reproduction. The exhibition explores experiences of (in)fertility, pregnancy, postpartum, parenthood, and early childhood through blown-glass weaning vessels and hand-carved rocking chairs to art jewelry inspired by breast pump flanges, pacifiers, and nipple shields.

“Handcrafted objects are the intermediary space between the womb and the world. From handwoven swaddling cloths and knitted baby blankets to embroidered baby carriers and basket-woven bassinets, craft is often the first human experience of the material world,” notes HCCC Curator and Exhibitions Director Sarah Darro. “HCCC’s presentation of Designing Motherhood draws out the intertwined properties of labor, care, embedded history, material intelligence, and intergenerational knowledge shared by craft and parenthood, ultimately asserting such reproductive experiences as forms of craft themselves.”

With the aim of spotlighting contemporary experiences around human reproduction, this multivalent project consists of a traveling exhibition, a book published by MIT Press, an Instagram account, a design curriculum, a Narrative Portraiture project, and ongoing public programs with community partners across the globe. “Our aim was to have this exhibition speak to all visitors in some way,” states the Designing Motherhood curatorial team. “We wanted to showcase the beauty, elegance, and ingenuity of so many quotidian objects related to the arc of human reproduction, and for our visitors to stop and contemplate the social and cultural context surrounding these designs.”

Designing Motherhood is curated and organized by design historians and writers Juliana Rowen Barton, Director of the Center for the Arts and Curator of Gallery360 at Northeastern University; Michelle Millar Fisher, Ronald C. and Anita L. Wornick Curator of Contemporary Decorative Arts within the Contemporary Art Department at the Museum of Fine Arts, Boston; Zoë Greggs, Executive Assistant at BlackStar Film Projects; Gabriella Nelson, Associate Director of the Voices for Health Justice program at Community Catalyst; and Amber Winick, an independent early childhood and design researcher and curator. Since 2021, the exhibition has traveled to the MassArt Museum in Boston and the Bill and Melinda Gates Center in Seattle. Opening concurrently with HCCC’s exhibition is another iteration of Designing Motherhood at the Swedish Centre for Architecture and Design (ArkDes). Learn more about the exhibition here.

HCCC Curator & Exhibitions Director, Sarah Darro, is the organizing curator of Designing Motherhood at Houston Center for Contemporary Craft. Developed in collaboration with local and regional community partners, a robust slate of public programming will accompany the exhibition.